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I'll Take Les: Drums
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Vous avez sélectionné:
I'll Take Les: Drums
Partitions à imprimer
8 partitions trouvées
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1
I'll Take Les: Drums
I'll Take Les: Drums
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Batterie (partie séparée)
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Methodes
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John Scofield
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Mike Kamuf
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I'll Take Les: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016291_D Drums. Composed by John Scofield. Arranged by Mike Kamuf. Instructional. Part. 4 pages. Alfred Music - Di...
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Jazz Ensemble - SKU: AX.00-PC-0016291_D Drums. Composed by John Scofield. Arranged by Mike Kamuf. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016291_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016291_D). UPC: 038081474236.A straight-eighth groove that's a little funky plus a catchy melody at 130 BPM, and you have a winner. Features written solos for tenor, trumpet 2, or guitar, lead trumpet range to written A, a great bari sax part, and optional parts for Latin percussion and vibes. Excellent writing. (5:15) This title is available in SmartMusic.
$3.00 ≈
¥21.72
I'll Take You There
I'll Take You There
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BeBe and CeCe Winans
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Hollywood Charts
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I'll Take You There
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Hollywood Charts
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SheetMusicPlus
Rhythm Section Voice - Level 2 - SKU: A0.1310820 By BeBe and CeCe Winans. By Alvertis Isbell. Arranged by Hollywood Charts. Pop,Soul. 4 pages. Hollywood...
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Rhythm Section Voice - Level 2 - SKU: A0.1310820 By BeBe and CeCe Winans. By Alvertis Isbell. Arranged by Hollywood Charts. Pop,Soul. 4 pages. Hollywood Charts #899792. Published by Hollywood Charts (A0.1310820). This vocal arrangement is scored for rhythm section and includes a single 'Master Rhythm' part with the important figures for keyboards, guitar, bass, and drums. This ensures your entire band will be on the same page, literally!Embrace the soulful grooves of The Staple Singers with this rhythm section transcription for I'll Take You There. Released in 1972, this iconic track stands as a testament to the timeless allure of gospel-infused soul, uniting listeners in a joyous promise of a better place.With its unmistakable bassline, infectious beat, and gospel choir background, I'll Take You There is more than just a song—it's a musical experience. This transcription captures the heart and soul of the original recording, offering musicians the chance to immerse themselves in this cherished classic.
$24.99 ≈
¥180.95
A Drummer’s Guide to Afro-Caribbean & South American Grooves for Drumset
A Drummer’s Guide to Afro-Caribbean & South American Grooves for Drumset
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Batterie
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INTERMÉDIAIRE/AVANCÉ
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Matt Murphy
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Matt Murphy
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Garrison at Drum Workshop
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A Drummer’s Guide to Afr
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Matt Murphy
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SheetMusicPlus
Drum Set,Drums - Level 4 - SKU: A0.1259991 By Matt Murphy. By Matt Murphy. Arranged by Matt Murphy. Instructional,Jazz,Latin. Score. 44 pages. Matt Murp...
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Drum Set,Drums - Level 4 - SKU: A0.1259991 By Matt Murphy. By Matt Murphy. Arranged by Matt Murphy. Instructional,Jazz,Latin. Score. 44 pages. Matt Murphy #853225. Published by Matt Murphy (A0.1259991). Hey y'all! Â I've been inspired by this music for as long as I can remember. It all started in college and has remained to this day. I lived it. Breathed it. Ate it. And, slept with it (literally). And through listening and experimenting, perhaps the music will inspire you, too. There's a lot to digest. So, it's very important to take the time to enjoy it.Keep practicing these examples. Create some of your own. This book should be used as a springboard to your success! It's just a blueprint. Make these grooves and exercises YOURS! Use a metronome. Look, metronomes don't lie. They will keep you in line and will ensure your accuracy as you traverse through the different styles.Y'all inspire me! I remember in college, when I was just thirsty for knowledge. I wanted as much as I could get, as quickly as I could get it. I listened to music. I went out to check out live shows. I played in more than my fair share of bands. And, have performed around the world with TONS of great musicians and people, as a result!The sky's the limit, folks! Keep pushing and keep reaching. You'll do it! Thanks a million!Thank You To: All of the companies for their years of support and belief in me and in my career choice! Don, Chris & Garrison at Drum Workshop; Chris at SABIAN; Joe & Ben at Vic Firth; Angie & Roger at Remo; Mike at Humes and Berg; Jay at Gruv Gear; Ben at Big Fat Snare Drum; Audix Microphones; 64 Audio; Cympad, X-Percussion.Mom & Dad; Dr. Dean Gronemeier & Sherell; Horacio 'el Negro' Hernandez; Tomasito Cruz; Michito Sanchez; Dom Famularo; Chris Patterson; Stan Sykes; Tony Lasorsa; Matt Daly; Barry Applewhite; Derek Jones; Stephen Kummer; Ryan Rose; Blaise Sison; Alex Jackson.Take care,Matt Murphy.
$24.99 ≈
¥180.95
Nothing You Can Take From Me
Nothing You Can Take From Me
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Rachel Zegler And The Covey Ba
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Javier Soria Laso
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Nothing You Can Take From Me
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Javier Soria Laso
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1349823 By Rachel Zegler And The Covey Band. By Dave Cobb and Suzanne Collins. Arranged by Javier Soria ...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1349823 By Rachel Zegler And The Covey Band. By Dave Cobb and Suzanne Collins. Arranged by Javier Soria Laso. Broadway,Film/TV,Jazz,Musical/Show,Pop,Singer/Songwriter. 57 pages. Javier Soria Laso #934588. Published by Javier Soria Laso (A0.1349823). You've heard Nothing You Can Take From Me from the film The Hunger Games: The Ballad of Songbirds And Snakes (sung by Rachel Zegler) many times, but you'll be gladly astounded to hear this big band chart that puts a spin into it with great measure! After a maestoso rendition of the first verse by the brass section, the drums set up the tempo into a tour de force medium fast tempo tune influenced by Duke Jordan's Jordu (recorded by the Clifford Brown-Max Roach Quintet) & Bobby Timmons's Moanin' (recorded by Art Blakey's Jazz Messengers) that while retaining much of the original tune (verse, refrain & bridge) brings out a distinctive hard bop-influenced twist coupled with solos by tenor sax & drums as well as a powerful soli by the trumpet section and a shout chorus moment by the full band. This chart is perfect as a concert opener, anchorer or closer, and it's another good twist of the saying something old, something new in a refreshing way. Enjoy!This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.About ss are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play!PLEASE NOTE: Your will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
$80.00 ≈
¥579.26
I Love My Kitty Cat
I Love My Kitty Cat
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Parry Gripp
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I Love My Kitty Cat
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Amphibia Cultural Legacy
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SheetMusicPlus
Mixed Percussion,Strings Acoustic Guitar,Bass Drum,Bass Voice,Body Percussion,Clarinet,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Flute,Han...
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Mixed Percussion,Strings Acoustic Guitar,Bass Drum,Bass Voice,Body Percussion,Clarinet,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Flute,Hand Percussion,Harp,Horn,Medium-High Voice,Oboe,Organ,Piano and Keyboard,Piccolo,Rhythm Instrument,Synthesizer,Tuba - SKU: A0.1143215 By Parry Gripp. By Amphibia Cultural Legacy and Parry P. Gripp. Broadway,Comedy,Disco,Musical/Show,Pop,Rock. 3 pages. Amphibia Cultural Legacy #741724. Published by Amphibia Cultural Legacy (A0.1143215). The internet is a beautiful place; every once in a while, it gifts us with something truly special. This time, we’ve been blessed with the epic remix of Parry Gripp’s I Love My Kitty Cat cover by Amphibia Cultural Legacy. The remix takes the catchy tune to another level, turning it into an upbeat and groovy orchestral piece that will have you rocking out on the dance floor.This remix will get your body moving with its driving percussion, funky bassline, and soaring strings section. Whether you’re a disco or rock n’ roll fan, there’s something for everyone here. The energy is infectious, and you’ll find yourself singing along to the lyrics in no time.But what sets this remix apart is its masterful use of orchestration.
$10.00 ≈
¥72.41
Count On Me
Count On Me
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Bruno Mars
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Amphibia Cultural Legacy
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Count On Me
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Amphibia Cultural Legacy
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SheetMusicPlus
Mixed Percussion,Strings Clarinet,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harpsichord,Horn,Medium-High Voice,M...
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Mixed Percussion,Strings Clarinet,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harpsichord,Horn,Medium-High Voice,Medium-Low Voice,Oboe,Percussion,Piano,Piccolo,Recorder,Suspended Cymbal,Synthesizer,Trumpet,Tuba - SKU: A0.1297838 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Amphibia Cultural Legacy. Classical,Comedy,Jazz,Pop,Soul. 8 pages. Amphibia Cultural Legacy #887814. Published by Amphibia Cultural Legacy (A0.1297838). Count On Me is a heartwarming and uplifting cover performed by Amphibia Cultural Legacy, beautifully showcasing Connie Talbot's signature style. This rendition takes the beloved original to new heights, as it remixes elegantly with the orchestra's enchanting sounds and additional instruments.From the beginning, the sweet and gentle tone of Connie Talbot's voice takes center stage, delivering the heartfelt lyrics with a refined yet innocent charm. Amphibia Cultural Legacy's interpretation allows Connie's vocals to effortlessly soar above the rich, dynamic orchestration, giving the song a grand and cinematic quality.The delicate orchestral arrangement weaves together a tapestry of lush strings, majestic horns, and whimsical woodwinds, creating a magical backdrop that beautifully complements Connie's vocals. Throughout the song, these additional instruments add depth and emotion, enhancing the already profound message of friendship, support, and unwavering companionship echoed in the lyrics, You can count on me like 1, 2, 3, I'll be there.As the song progresses, Amphibia Cultural Legacy skillfully balances Connie's tender vocals with the soaring crescendos of the orchestra, creating moments of both intimate reflection and exhilarating grandeur. This contrast amplifies the emotions conveyed, captivating listeners and allowing them to truly connect with the uplifting and empowering message of the song.In this remarkable rendition of Count On Me, Amphibia Cultural Legacy brilliantly marries Connie Talbot's unique style with the timeless elegance of an orchestra and other additional instruments, resulting in a truly captivating musical experience.
$70.00 ≈
¥506.85
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
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The Abduction of Persephone (for String Orchestra)
The Abduction of Persephone (for String Orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Aaron Fonzi
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The Abduction of Persephone
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Aaron Fonzi
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #33678...
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String Orchestra - Level 3 - SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
$20.00 ≈
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I'll Take Les: Drums
